For this article we will explain the role of the professional "carnival" Carnaval figure or a producer in the English language. We believe that the description of his role and profile are not only essential to understanding the parades, but the culture of the Brazilian carnival itself without its existence, the parade / show could not access, thought to be organized or executed. His write-up shows over the planning or execution of the physical Carnaval. Just like a manager game, create the dreamsand invite everyone to join them. As you can see below, are the ultimate responsibility for the selection of themes and plot as the stories are in the scene are fabulous parade their imaginative minds from around the world can be seen by the public as a story that is carnival. From the days of almost-famous artists of the samba school of the '30s, the legendary carnival producers like Fernando Salgueiro and Joaozinho Trinta from PamplonaBeija-Flor, we describe below some of the "carnival of" first beginnings, the involvement with the schools of samba, revaluations and historical representatives.
The Producer Carnival, "carnival" of samba, carnival language is primarily responsible for the Carnival 'Parade' to show the samba schools. Although the term "carnival" (Carnival Producer) is the samba schools of the old world, which means that its has been modified several times duringyears. In the first parades of 1930 and 1940, the producers of Carnival was varied and features some vague 'because everything was still in a very improvised and amateurish. Most of them were impressive artistic talent, but no formal artistic training at a university or academy. Their knowledge of materials, substances, structures and engineering was "the road." Many of these producers were the first members of the carnival samba schools that were supported and connected. They have been loyal fans and would never leave that school for another. As an example, Portela, the second oldest samba school in Brazil, the producer Carnival has been one of the founders themselves, Paulo da Portela. The payment was not in question. They develop their artistic talent for their love and devotion to the schools of samba and carnival.
Some of the works of "Carnavalescos" performed at this stage, including the creation of> Carnival costumes, sets and decorations. They should also follow the collective work and volunteer members of the samba school of the art expert and loved ones did. These first "Carnavalescos" were already in the organization and planning of the production of the suppliers. On the other hand, in these early years, the employment of carnival producers from countries outside of / samba-school community was very small share. Historians point out artisans of Casa da Moeda(Brazilian currency) and the Arsenal of the Navy of Rio de Janeiro, as some of the first external resources of the samba school hired. Another researcher said the Carnaval "Vizinha Faladeira Samba school", the famous samba school from the year 1930, rental Garrido Brothers - celebrated landscape painters of the time, the execution of certain tasks to the carnival But the 1935th early days of Brazilian Carnival parades% of producers have been generally correct that in 95Samba-schools members.
Carnaval Art Art producers-directors. They work with their team and this work can be divided into two phases: the first is the regulation before Carnival, and the second during the carnival.
The "mode" consists of seven steps, beginning with the theme of creation, which is one of the most important moments. At that moment, the theme for the ENRED (the subject) is elected, and then developed the ENRED. L 'Success of the presentation will be the potential, creativity and novelty of the subject. In addition, the topic title is very important, and should give an idea on this curious and long for the parade.
The motto is set, the script is written. Carnaval The producer then explore and learn more about it, sometimes asking for, journalist, historian or writer to develop the topic. He must know thesamba school very well, their potential and what can be done, because everything about the parade, such as structural, the wings and how the materials are used.
The producer Carnival has to be very creative and imaginative figures, ornaments and jewelry design. He counts on a professional designer and artist, as well as engineering and architectural consultant for design and construction of the car.
Then the producer produces a Mardi Gras theme abstract is a written summary of the topic. It should be clear, objective and presents the main theme of steps and key issues to be explored and developed. It also provides the abstract compositions of the present ENRED Samba (samba theme) and tells them what he wants in the texts.
The distribution of the costumes, wings, and floats like drawings is also a task for the "carnival". He does all the components of the particular materials used. L '> Costumes made under the supervision of the production. The manufacturer must take part in the election of the carnival samba, the music of one of the factors for the success of the School of Samba is the carnival. In addition, the manufacturer must monitor the work in the Carnaval / Samba Barracão City, which was to be the full-time leadership of the team tasks and monitoring.
Finally, during the big day at the carnival parade, the process is divided into three phases. First, heactively involved in the transport of trimmings, embellishments and swims by Barracão / Samba City in Sambadrome eve of the parade.
Subsequently, the producer carnival, must cooperate with the other members of the samba school has organized a school for the parade. This is what we call "Armação (assembly area). There is a program to be strictly followed so that the team suite of furniture, furnishings, and the components of the locations specified sectors continues toProgram, is preparing for the parade. During the parade, all the "carnavalescos" has not been observed running along the samba schools, and analyze their power to correct or stop the alarm for the areas to any deficiencies.
Carnaval legendary producers include the following representatives: Arlindo Rodrigues, Clovis Bornay, Julinho from Mangueira, Fernando Pamplona, Joazinho Trinta, Paulo da Portela, Max Lopes, Rosa Maria Magalhaes, Fernando Pinto and Renato situation.
Obs: Wehave the "word" Carnival and Carnival, because we have specific name refers to the Brazilian Carnival celebration proper.
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